Rooted in symbolic meanings while celebrating the harmonious balance of opposites, this garden retreat offers a peek into a past rich in poetry, painting and personal scholarship.
Just as there are two faces to our personality – the public persona we project to outsiders and the private side that family and friends are privy to – so it is with this garden.
A Formal Facade
Approaching the house in a residential development nestled amidst rolling fairways and undulating greens, a spacious wide lawn can be made out clearly through the open airy design of the wrought iron railings bordering the property. As the filigreed gates open to admit the visitor, a three-tier white marble water fountain topped with a globe artichoke finial makes a regal statement with its lively cascades gushing invitingly into an aquamarine pool. A trio of life-size white cranes sculpted form fibreglass wading in the pool adds an alluring accent and demands that one stop and enjoy the compelling scene. This composition not only brings a sharp sophistication to the facade of the house but is a view that can be enjoyed from the indoors looking out.
The low iron railings delineating the property were intended to enhance the spaciousness of the front lawn which has been designed for plenty of strolling and avoids the claustrophobic feel often found among many upscale suburban homes. However, the structural planting of clipped tea tree topiaries along the front lawn prevents the garden from being overwhelmed by the buildings across the street while lending an air of formality and a well-tended look.
A meandering pathway of concrete pavers leading from the porch beckons to a classical Chinese gazebo sited at the far end of the garden. Capped by a sloping glazed porcelain roof in jade green and partly screened by a grove of wispy chartreuse leaved melaleuca bracteata trees, this outdoor structure is just the place to rest after a stroll in the grounds and to take in the landscape.
A Replica of Nature
While the gazebo signals the end to the formal garden, a thatched rustic Oriental gate nearby heralds the beginning of a private retreat secluded from the rest of the world, redolent of a past steeped in culture and learning. What is also not obvious is that there is a natural slope in the backyard that has been turned into a serene water garden consisting of a water fall, ponds, plants, statuary and a teahouse, all the essential elements for which the aesthetics of a Chinese garden rests on. The centrepiece is a koi pond, emphasised by a border of artificial rocks and highlighted by verdant foliage and subtle hues of flowers. A zigzag bridge of manmade concrete enables one to traverse the pond and to behold the brilliant hues and distinct markings on the koi, a fish long associated with courage. The majestic beauty of the waterfall and the sound of rushing water add to the beguiling ambience of this watery retreat.
Rustic and asymmetrical, this inner sanctum under the sky is a striking example of the Chinese art of landscape design which adheres to the principles of balance and harmony, of man and nature. For centuries, the Chinese have regarded gardens as a refined art form alongside painting, poetry and calligraphy, likening the garden to an artistic recreation of nature, a landscape in three dimensions.
Tackling the steep slope and turning it into a series of vigorous cascades in the arresting waterfall was a Herculean task for David Cher, landscape designer from Artistic Landscaping and Furnishing and his landscape architect. “We are glad we exploited the full vertical height of 28 feet for maximum effect” Cher says with justified pride. Another challenge, albeit of lesser proportion, was constructing the artificial rocks of ferro cement into various shapes, sizes and contortions.
However, the greatest challenge had to be in coming up with a waterfall that appears as natural as possible and whose source of water is not apparent,” explains Cher. “It also had to be kept in proportion to the pond below.”
In the Chinese garden, rocks are deemed to be ‘yang’ in nature. They are used to represent the mountains in all their grandeur, a characteristic which is very much a part of the Chinese sensibility. Those that were mottled with holes, strangely contorted in form, or top heavy, rugged stones are very much sought after.
A robust pair of fiberglass Chinese geese placed among the algae-clad rocks in the vigorous waterfall lends credibility to this man-made landscape, symbolizing the harmony between the environment and wildlife while in a nearby placid pond, a plethora of playful koi darts about beneath the surface in a symphony of movements adding to the study in contrasts.
Water occupies a vital place in the Chinese garden as it is nurturing and yielding and represents the “yin” element, acting as a counterpoint to the resilient and hard elements such as the rocks found throughout the garden. The shimmering reflections on its surface add visual interest and enhance the apparent volume of the garden. As most popular spots in the Chinese garden are on edges of a lake or pond with a view of the mountains or hills beyond, the best site in this watery retreat is a thatched teahouse that could have come right out from a pastoral scene in a landscape painting, located beside the koi pond. From here, the waterfall evokes a scene of a mountain retreat where a scholar could escape to, which is reinforced by the glimpse of the curved roof of the gazebo beyond the rock barrier. It is also here that the owner of the house reconnects with his creative self, deriving artistic fulfilment in perfecting his calligraphic script. His creative output is variously emblazoned on the walls of the hut, on the entrance above the thatched gate or the arched doorways of the adjacent veranda but is most conspicuously inscribed into the rugged surfaces of rocks that form the waterfall.
Plant materials favoured in a Chinese garden setting are used symbolically to give the garden a spiritual dimension or to replicate a landscape in miniature. Prostrate and pendulous forms of pine such the juniperus communis (sleeping pine) growing as thick carpets on the rocky surfaces of the waterfall, or the pinus strobus ‘Nana’ both resembling floating clouds and windswept forms make them ideal not only as a specimen feature but are also revered for their strong association to longevity and the struggle for survival.
Evergreens with blooming colours such as the orchid, lotus, chrysanthemum or the camellia are also long-standing favourites for their symbolic meaning in poetry and literature. Plants that shiver in the breeze as in the case of the bamboo or the flag iris are favoured more for the audio-visual effects they create such as dappled lighting on otherwise drab walls or for evoking the sights and sounds of the tranquil countryside. However, the bamboo is not grown in this garden as its easily-shed leaves can potentially clog up the ponds.
Borrowing Views
The spacious wrap-around veranda that segues into the rock garden allows for plenty of entertaining and is ideal for dividing the interior space of the garden into smaller cells that may involve one or more picturesque views. This “borrowing of views” is an architectural technique used in Chinese garden planning such that the same scenery can be viewed from inside of a garden at different angles, giving an impression of unlimited space.
Sometimes this may also involve using scenic views that are framed by parts of the property but exist beyond the walls of the garden, as is borne out by the formal patio at the back of the house with splendid views of well-groomed fairways dotted with palms, attractive water hazards and shrubbery of the golf course beyond.
Terraced Take
The steep slope on the other side of the back garden has been tamed into easy-to-care-for terraced beds which give a gentler look to the house’s setting, and also provide for much needed gardening space for growing herbs, fruit trees and some organic vegetables. A flight of rustic steps leads past this terraced garden back into the front yard.
That this garden has been designed to be savoured for a lifetime is a given. That it contains a living legacy which connects us to things which came before makes it even better.